JOURNAL

What residential design can learn from hospitality

Our obsession with hospitality does not stay within hotel or restaurant projects.
We continuously bring this way of thinking into our residential work. Not as a literal translation, but as a cross-pollination.

When we look at many homes today, we still see the same patterns repeating themselves.
Spaces are defined by habit rather than intention. The classic layout of the living room, TV setup, dining table and kitchen is often taken for granted, without questioning how people actually live, move and connect in 2026.

What we often miss in those projects is a deeper layer of experience.
How a space supports interaction. How it allows you to slow down. an how it creates moments of connection.

That does not necessarily mean designing fully open spaces. On the contrary. It means designing with intention.
With a clear understanding of how a home is lived in — today.

THE IMPORTANCE OF ARRIVAL

In hospitality, a significant part of the budget is dedicated to the arrival of the client: the entrance, the reception, & lobby.
It is the first impression, but more importantly, it is the beginning of their experience with the hotel.

In residential projects, the entrance is sadly often overlooked and reduced to what is strictly necessary.
Treated as a compact, purely functional zone for circulation.

We approach it very differently.

For us, the entrance of the home is the moment where you come home after a busy day.
You step in and you slow down. You transition from outside to inside.
A well-designed entrance supports that shift and  allows you to disconnect from the outside world and mentally arrive home.

This is not only about square meters, although space helps when possible.
It is about how the space works.

Sufficient storage to avoid visual clutter.
Materials that feel warm and grounding.
Lighting that softens the transition.
A sense of calm from the very first step inside.

It is a subtle moment, but it defines how the entire home is experienced.

When designing hospitality projects, we always start with sketches of movement and sightlines.
How do you go from point A to point B? What do you see when you sit down on that chair?
Where do your eyes rest  and where doe they get distracted?

It is a constant puzzle to align function, movement and perception into something that feels effortless.

In residential design, circulation is often treated as something secondary. As a leftover between rooms.
And poor flow creates daily irritation. It results in unnecessary crossings, awkward transitions, visual noise in key passages, and a lack of clarity between spaces.

We design circulation as something intentional.
When flow is right, it disappears.
But when it is not, you feel it every single day.

FLOW IS DESINGED, NOT ASSUMED

When you walk into a well-designed hotel room, you immediately feel the comfort. Yet you don’t see where it comes from.
No visible vents, no distracting radiators, no technical elements demanding attention.
That's when you know that room has been carefully designed.

Comfort lives in the balance between acoustics, temperature, air quality, and both natural and artificial light.

In many residential projects today, we notice a strong focus on furniture and custom joinery, while fundamental aspects such as a well-thought-out lighting plan or integrated techniques receive far less attention.

And yet, these are the elements that define how a space performs.

How sound behaves in a room.
How light adapts throughout the day.
How materials respond to touch and ageing.
How air flows without creating discomfort.

That is something hoteliers understand extremely well:
Through comfort ,often invisible, yet highly intentional, they are able to offer their guests an exceptional stay and a truly restorative night’s rest.

COMFORT IS LAYERED

In many residential projects, we still see the same tendency:
Spaces are either fully open or completely closed off, with little nuance in between. Kitchen, dining and living are merged into one large space, where everything happens everywhere.
While this can feel spacious at first, it often lacks structure over time. There is no hierarchy, no differentiation, no sense of place.

We approach this differently. Instead of designing one open space, we design a series of zones that relate to each other.
Spaces where people can gather, but also moments where they can step away.

A dining area that feels connected, yet intimate.
A seating area that allows conversation, without being fully exposed to everything around it.

These distinctions are not necessarily created with walls, but through material transitions, furniture placement, lighting and carefully framed sightlines.

In hospitality, this balance is essential. Guests are given the choice to connect, to pause, or to retreat.
We believe a home should offer that same flexibility.
Not complete openness, but a thoughtful balance between togetherness and calm.

SPACES TO GATHER AND SPACES TO RETREAT

Sophie Andries is the founder of Ash Studio, an interior architecture practice based in Belgium.

With a strong focus on wellbeing, sustainability and hospitality, the studio designs spaces that go beyond aesthetics by creating environments that feel intuitive, balanced and made to last.

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